Thursday, April 30, 2015


I don't know if this band would be considered alternative, prog, math, j-pop, j-rock, or whatever.  But they are completely compelling.  I found out about them from an article and interview that Laura Snapes wrote for the NME.

Tuesday, March 3, 2015

Favorite Music (and books) of 2014.

I don't claim this to be in any way an objective "best of the year" list, it's just my personal list of the music and books I most loved in 2014, in random order:

Charli XCX - Sucker
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Alvvays - Alvvays
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“Marry Me, Archie”

Dum Dum Girls - Too True
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“Too True”

Honeyblood - Honeyblood
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“Super Rat”

September Girls - Cursing the Sea
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“Cursing the Sea”  

Whinnie Williams - Bad Girl
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“Oopsie Daisy”

Johnny Marr - Playland
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Lipgloss Twins 
"Wannabe" (image opens a link to the video)

Favorite discovery of 2014 - Asylum Party

“Julia” (1988)

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Yeah Yeah Yeah

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Champagne Supernova

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Brian Jones: the Making of The Rolling Stones

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Who Killed Mister Moonlight?: Bauhaus, Black Magick, and Benediction

Tuesday, October 14, 2014

Asylum Party. Julia (1988).

I found out about Asylum Party from a link posted by Dee Dee Penny on some social media site I follow her on.  It makes sense that the head Dum Dum Girl would want to share this, as it seems to be generally in the same realm of chilly enchantment as some of her work on Too TrueAsylum Party was completely unknown to me, so it was a real treat to hear this captivating song.  Asylum Party lasted during the second half of the 80's and was apparently one of the best bands to come out of the French "Coldwave" genre.  Coldwave was a term initially coined by Sounds magazine to describe Kraftwerk, but it soon evolved to describe dozens of obscure French and Belgian post punk bands in the early 80's.  I've started listening to some Coldwave compilations, and AP is by far the most tuneful and harmonically satisfying of them all.  I'm guessing vocalist Thierry Sobézyk was the main composer. Whoever it was, they really had a skillful touch for writing haunted, uncanny songs.

Asylum Party doesn't have a Web site, their music is not available on iTunes or eMusic, and their CD's are pretty scarce, having been out of print for some time.  Amazon sells them new or used starting in the $40 range, and the vinyl goes way over $200.  Or you can just visit some of those shady blog sites that host mp3's, and pray your antivirus is up to date.

Even though their vintage is a bit later, they share a slightly Goth-y, undead eeriness with some other post punk bands, such as Siouxie and the Banshees, Bauhaus, Joy Division, The Cure, and even early Cocteau Twins. 

Their 1989 video, "Misfortunes?," certainly plays up the phantasmal atmosphere:

Friday, September 12, 2014

Alvvays (2014).

I'm very uncertain about the cover art of the debut album by Alvvays, it just doesn't seem right.  Other than that, I am really liking this Canadian band, led by Molly Rankin.  It's smart Indie Pop, with the energy of the 80's version of the genre, but refreshed enough to be contemporary.  It might not be groundbreaking, but they craft good tunes and arrange them with skill.  It's pretty challenging to emulate a style that has already peaked without giving you that deflated feeling that you've heard it before, and done better.  Even some of the more recent critically acclaimed Indie Pop bands seem flat to me.  Alvvays nails it and sounds like the real thing.  The lyrics are worth listening for, and the instrument parts enhance the song and are well thought out. 

Personally, I am so tired of performers and bands putting on a "show."  Alvvays is pretty cute as a band, but they're unpretentious and just get down to business.  All jangle, no spangle.  Let's have more of this.

Friday, July 11, 2014

Lana Del Rey. Ultraviolence (2014)

I thought I'd give a listen to LDR's new release, Ultraviolence.  I found Born To Die interesting and was curious as to what she had devised as a follow up.  I did not expect to be knocked on my butt by a major work of art.  Ultraviolence is a massive, immersive experience.  It's full of guilt, regret, arrogance, pain, longing, and a certain type of sour beauty.  I guess you could just play this in the background while tidying up your house or something, but for me it demanded the attention of a David Lynch movie, drawing me in deeper and deeper, filling me with the underlying anxiety that something tragic and disturbing was about to happen.

Ultraviolence can't be thought of as just a new collection of pop songs by Lizzie Grant.  It's an artwork that completely integrates sound, lyrics, and performance to create a vision of a world both glamorous and grim.  It's very Baudelairean in it's evocation of the old Spleen and Ideal concept.  

The sound on this disc is magnificent.  LDR's voice and the instruments are processed through a variety of reverbs and delays, so the music exists in these lush and expansive spaces, but every detail glimmers like a spark.  Some of the guitar sounds are so present, you'd swear guitarist/producer Dan Auerbach was right in the room with you.

By the time I heard the third track on the album, "Shades of Cool," I knew I was in the presence of a masterpiece.

Shades of Cool:

Monday, June 23, 2014

Kylie. I Was Gonna Cancel (2014).

The best song on Kylie's new album is probably "I Was Gonna Cancel," by "The Best Dressed Man in the World," Pharrell.  It almost makes me want to forgive him for being a part of the "Blurred Lines" debacle of last year.  I said, "almost."  

It's similar in form to his current smash hit, "Happy."  The formula is, "I got four chords that sound dope together, so let's run them into the ground."  Luckily, you don't get tired of hearing those four chords over and over because, well, they actually do sound as great as he thinks they do.  Apparently, Pharrell wrote this as Kylie was having an attack of anxiety about the session and thought she might have to cancel.

Lyric videos have grown up; this one is pretty spectacular:

Here's the Dance Off version of "IWGC," with Kylie, her dancers, and what appears to be a random assortment of just plain folk.  It's cute.

And just to be complete, here's the final, Official video.  Someone said this may be the cheapest (as in, least expensive) video that Kylie has ever made.  That's probably true, but I think she intentionally went for the simplistic look of white blouse, jeans, and her hair down because (like Bowie) she never does anything that's not well thought out.  (Not sure about the high-waisted jeans here, but I know that's a current trend, so there you go:)

Thursday, June 5, 2014

Puzzle Pieces - Various Artists (2014).

This epic retrospective of the Seattle based label, Jigsaw Records, contains 48 tracks on two CD's.  The compilation runs the gamut, demonstrating the wide range of what Indiepop can be, from lo fi, garage-y punk pop, to sweet, soft melodies.  You won't already own any of these tracks, even if you are a fan of the label, because Chris McFarlane made a special effort to obtain rare or unreleased tracks by all the bands he's worked with over the years.  It's a cliché, but there really is something here for everybody.  You'll find tons of catchy tunes, and witty lyrics, that will put a smile on your face.  I am very proud to be a part of this myself, having contributed one of my previously unreleased songs, "No Place to Go," as the second track on CD2.  Only 500 CD's were pressed, so this will probably become a collector's item.  You can also visit Jigsaw for lots of stuff from other labels since they are a distributor of: "indiepop, power pop, indie rock, lo-fi pop, twee, and pretty much any other kind of fun pop music that we fancy..."